Posts from the Cut Paper Collages Category


It’s hard to believe the L.A. SCBWI conference is just over two weeks away!

I (finally) completed my last portfolio piece for the showcase. I tried some new techniques with this collage, like crafting the hardwood floor with lots of little slats cut-up from this paper.

Many thanks to Aaron for posing with the vacuum cleaner and being my second set of eyes, to Alesha for the multitude of cat tree reference photos and critiques, and to Steven for the title!

Like many of my illustrator friends, I’m in the process of revamping my portfolio for the L.A. SCBWI conference. This weekend I took an existing design that I liked and gave it an update.

“The Dance Lesson” is an illustration that my marvelous agent pulled from the slush, so it will always be close to my heart. It also inspired a picture book WIP that I love. But two years have passed since I finished that collage and I knew I could make it better.

dance lesson redo

Before: The Dance Lesson, circa 2011

So, on Saturday, I set to work. I began with Owl and Ostrich. These characters have evolved somewhat since the original design, so I wanted to make sure they would be consistent with the most recent O&O illustrations. Both Owl and Ostrich lost a toe to better resemble their real-life counterparts (ostriches have two toes and great horned owls have three in the front and one in the back). Owl 2.0 is a bit more solid with a larger beak. Ostrich 2.0’s legs are a bit longer and more muscular. I also adjusted the tilt of the birds’ legs and wings so they’d look more active. After all, they are dancing!

The revised characters have different papers, too. The first version of the illustration featured three patterns for Owl and two patterns for Ostrich—with one of these papers (the pattern with the text) being shared by the two. To compare, Owl 2.0 and Ostrich 2.0 have five papers a piece. Happily, I had already planned out O&O’s new looks in an earlier color study, so I didn’t need to start from scratch when picking their papers.

20130602_015926 - 2

Owl and Ostrich 2.0

As for the background, I knew that I wanted to keep some elements of the first illustration (i.e., the natural palette, the floorboards, the border along the top, the music notes), but I didn’t know which papers I wanted to use. So, on Sunday, I spread out every blue, green, and brown paper pattern I owned and did a lot (ahem, a LOT) of pairing and considering. Yesterday was one of those days where the scene just wouldn’t come together. At one point, the husband suggested we get out of the house to think and eat pie. (Always a good idea.) At another point, we went out to buy yet more green paper. (Another good idea.) Finally (finally!), I figured it out and was able to finish the illustration.

The Dance Lesson 2 by Priscilla Mizell

After: The Dance Lesson, circa 2013

The floorboards are still dark, the composition similar. The biggest difference is the backdrop. Instead of incorporating the sheet music into the floorboards, I cut waves from a sheet music paper pattern and layered them atop a different shade of green. My hope is that this detail adds more movement and interest to the illustration.

What about you? Do you have some “before and after” illustration examples to share? I’d love to see them.

ETA: I still wasn’t happy with the background, so I tried out a few more greens, including one from a different Owl and Ostrich composition. I shared the results with a trusted critique partner and she agreed that, in this case, darker is indeed better. (Thanks, Courtney!) The after after illustration is below. This just goes to show that there’s always room for revision!

Edited and Revised Dance Lesson

After Again: The Dance Lesson, circa 2013

Etta with Red Background

Etta’s First Snow

For this week’s Illustration Friday challenge, I asked my husband which animal he would like to see in the snow. He chose an elephant. So here she is! He named her “Etta” after a character from the Fringe television show.

This illustration features a chalkboard pattern layered on slate colored paper. The snowflakes and scarf were cut from Paper Source’s Yuzen Pale Aqua Gold Waves Fine Paper and Yuzen Red White Pink Blossom Fine Paper, respectively. (They were a gift from my mother-in-law. Thanks again, Momma Mizell!)

One marvelous thing about being a member of SCBWI is having access to incredible learning opportunities, like this virtual illustration critique by Caldecott winner Paul O. Zelinsky.

Mr. Zelinsky has illustrated over 30 books for children, including his Caldecott Medal-winning Rapunzel and this year’s very funny Z is for Moose (written by Kelly Bingham). In other words, he’s a picture book rock star.

For the critique, I chose to submit a sample illustration from a picture book work in progress (below). As the piece is part of a narrative, I was also able to include some rough images from the dummy.

I was impressed by the detail of Mr. Zelinsky’s notes. His feedback was thoughtful, thorough, and kind. He commented on what I did well but focused more on the areas where I should improve. Most important, he provided very specific recommendations on how to create a better book.

I shared some excerpts from his critique over on Illustrators for Kids. You can find the post here.

Thanks to Mr. Zelinsky, Katie Wools, and Missouri SCBWI for the opportunity!